Our choir performed Holst's The Planets after Gülsin Onay's Rachmaninov Piano Concerto No.2 in the first half.
Gustav HOLST (1874-1934)
For the suite in Which he defined the astrological characters of the planets, the composer said "Each movement represents a planet without reference to their astrological or mythological names. The point here is to stress each planet’s religious and national effects on the flow of human history. For instance, Jupiter, which is believed to be the bringer of jollity, is represented as such.
In the first planet out of the seven, Mars, "the Bringer of War”, the barbarically emphasized rhythm and the repeated theme are reinforced by the plucking of the left string of the strings, harps, and drums. The central motif is based on fagots and horns. The fanfare of the brass instruments prevents the fading out of the atmosphere of war so that the movement can end in powerful chords. Venus, "the Bringer of Peace", is in E flat major and has an idyll quality. This atmosphere is stressed by the theme vocalized first by the solo French horn and then by the flute.
Mercury, ”the Winged Messenger", is a short scherzo. It starts with a rapid, energetic figure. The themes are displayed through various instruments. The movement ends on a light and humorous tone. Jupiter, "the Bringer of Jollity" is a rapid and playful scherzo. "The Bringer of Old Age", Saturn, on the other hand, commences in a gloomy mood, with the introductory scores of flute and harp on a constant line. The opening theme is repeated in the coda, but with a different variety.
The interesting brass wind instruments, organ glissandos in "the Magician" Uranus are reminiscent of Paul Dukas’ novice magician through small motifs. In the last movement, "the Mystic" Neptune, the texture of the structure becomes more important than the themes. At the time, Neptune which was at a 4000-million-kilometer distance was believed to be the farthest planet in the solar system, and since Pluto was to be discovered in 1930, Neptune was considered the farthest, the least apprehensible and the most mystic of the planets. This mystic atmosphere is reinforced by the women’s chorus hidden in the background whose vocalization is heard as if coming from space and fades out as if it were moving away.
İrkin Aktüze
Assistant Choirmaster
Pınar Çanakçı
Soprano
Ayşe Yılmaz
Canan Temel Sayın
Cansu İncegül Yücetürk
Cemre Elisa Görgü
Çiğdem Bazlamaçcı
Doğa Bilici
Evrim Furkan
Gizem Nur Çolak
Gökçe Nur Semerci
Gülbuse Şenduran
Hayriye Çiftçi
Hazal Özçelik
Hilal Bıçaklar
İlknur Bütüner
Melda Cömert
Meral Mete
Özler Yalçıner Kelecioğlu
Umut Yavuz
Yağmur Durusu
Yeliz Işık
Alto
Aylin Körüklü
Banu Manap
Beren Çetin
Dagmar Arman
Emel Doğusal
Halise Devrimci Özgüven
İrem Gedik
Kübra Gözel
Nilgün Tuzkaya
Nilüfer Tatman
Peren Tuzkaya
Pınar Çanakçı
Ülkü Özgür
Zeynep Dillioğlu
Zülal Ervuz